We live in overlapping ages that deny all purity and exclude all ideas with which we disagree. There is a chaos of overlapping styles and styles, mixed concepts, which always raise many questions to me???? For a long time, my interest in many of my artworks was directed towards researching ancient history and images of the past, and I find myself captivated by the effects that nature and time, as well as the influence of man, leave on things, and am captured by discovering small details in nature, on walls or ancient things; hence giving different connotations. The secrets behind these shapes or symbols evoke multiple meanings that converge into a paradox between belief and rejection and derive their concept and meaning from the cultural context in each historical stage. All this formed in my conscience a visual memory that has a magical power, and spiritual energy that transcends similarity and bias towards a vision of the future.

In an attempt to create a dialogue environment between the various ancient means of communication that recalls from memory the forms of texts and images on walls or ancient manuscripts, satellite broadcast dishes, and library shelves, I try to collect these elements of shapes and signs in plastic formulations to give another visual meaning, reflecting shapes, symbols, words or letters Only visual texts superimposed in an initial spontaneous image, perhaps before reaching rules or agreement on letters assembled in a linguistic format and moving away from clarity as much as it is covered by ambiguity. It suggests different influences from nature, nostalgia, and heritage, but it expresses the state of confusion between overlapping and intersecting ideas. It is a heavy heritage filled with treasures and myths, which provides an opportunity to think and research issues for the meaning of life.